nt from the cover of the Main Entrance carrying whatever they could hold in their arms and dive into the back seats of cars idling by on the edge of the Parkway, cars which then would scurry off as fast as their meager four cylinders could drag them before the projectiles hurled from the towers above had had time to find their targets. I had seen enough of Krupp to know that the man meant what he said. I also had seen enough of the Plex to know that no redemption was possible for the place-- no last-minute injection of reason could save this patient from its overdose of LSD and morphine. Lucy agreed with me. You may vaguely remember her as Hyacinth's roommate. Lucy and I hit it off pretty well, especially as March went on. The shocks and chaos that took everyone else by surprise were just what we had been expecting, and both of us were surprised that our friends hadn't foreseen it. Of course our perspectives were different from theirs; we both had slaves for great-grandparents and the academic world was foreign to our backgrounds. Through decades of work our families had put us into universities because that was the place to be; when we finally arrived, we found we were just in time to witness the end result of years of dry rot. No surprise that things looked different to us. Lucy and I began making long tours of the Plex to see what further deterioration had taken place. By this time the Terrorists outnumbered their would-be victims. The notion that the strike might be resolved restrained them for a while, but then came the pervasive sense that the Big U was dead and the rumor that it had already been slated for demolition. Obviously there was no point in maintaining the place if destruction loomed, so all the Terrorists had to worry about were the administration guards. The Seritech Super Big-Window 1500 in Laundry soon disappeared, carted off by its worshipers. Unfortunately the machine didn't work on their wing, which lacked 240-volt outlets. Using easy step-by-step instructions provided by its voice, they tore open the back and arranged a way of rotating it by hand whenever they needed to know what to make for dinner or what to watch on TV. In those last days of March it was difficult to make sense of anything. It was hinted that the union was splitting up, that the faculty had become exasperated by the implacable Crotobaltislavonians and planned to make a separate peace with the Trustees. This caused further infighting within the decaying MegaUnion and added to the confusion. Electricity and water were shut off, then back on again; students on the higher floors began to throw their garbage down the open elevator shafts, and fire alarms rang almost continuously until they were wrecked by infuriated residents. But we thought obsessively about Virgil's reference to secret activities in the sewers and developed the paranoid idea that everything around us was strictly superficial and based on a much deeper stratum of intrigue. It's hard enough to follow events such as these without having to keep the mind open for possible conspiracies and secrets behind every move. This uncertainty made it impossible for us to form any focused picture of the tapestry of events, and we became impatient for Saturday night, tired of having to withhold judgment until we knew all the facts. What had been conceived as an almost recreational visit to the Land of the Rats had become, in our minds, the search for the central fact of American Megaversity. A hoarse command was shouted, and a dozen portable lamps shone out at once. Forty officers of MARS found themselves in a round low-ceilinged chamber that served as the intersection of two sewer mains. They stood at ease around the walls as Fred Fine, in the center, delivered his statement. "We've never revealed the existence of this area before. It's our only Level Four Security Zone large enough for mass debriefings. "All of you have been in MARS for at least three years and have performed well. Most of you didn't understand why we included physical fitness standards as part of our promotion system. Things got a little clearer when we introduced you to live-action gaming. Now, this-- this is the hard part to explain." All watched respectfully as he stared at the ceiling. Finally he resumed his address, though his voice had become as harsh and loud as that of a barbarian warlord addressing his legions. The officers now began to concentrate; the game had begun, they must enter character. "You know about the Central Bifurcation that separates Magic and Technology. Some of you have probably noticed that lately Leakage has been very bad. Well, I've got tough news. It's going to get a lot worse. We are approaching the most critical period in the history of Plexor. If we do what needs to be done, we can stop Leakage for all time and enter an eternal golden age. If we fail, the Leakage will become like a flood of water from a broken pipe. Mixture will be everywhere, Purification will be impossible, and mediocrity will cover the universes for all time like a dark cloud. Plexor will become a degenerate, pre-warp-drive society. "That's right. The responsibility for this universe-wide task falls on our shoulders. We are the chosen band of warriors and heroes called for in the prophecies of Magic-Plexor, foretold by JANUS 64 itself. That means you'll need a crash course on Plexor and how it works. That's why we're here. "Consuela, known in Magic-Plexor as the High Priestess Councilla, is a top-notch programmer in Techno-Plexor. She therefore knows all there is to know about the Two Faces of Shekondar. Councilla, over to you." "Good evening," came the voice from Fred Fine's big old vacuum-tube radio receiver. She sounded very calm and soft, as though drugged. "This is Councilla, High Priestess of Shekondar the Fearsome, King of Two Faces. Prepare your minds for the Awful Secrets. Plexor was created by the Guild, a team consisting half of Technologists and half of Sorcerers who operated in separate universes through the devices of Keldor, the astral demigod whose brain hemispheres existed on either side of the Central Bifurcation. Under Keldor's guidance the colony of Plexor was created: a self-contained ecosystem capable of functioning in any environment, drawing energy and raw materials from any source, and resisting any magical or technological attack. When Plexor was completed, it was populated by selecting the best and the brightest from all the Thousand Galaxies and comparing them in a great tournament. The field of competition was split down the middle by the Central Bifurcation, and on one side the contestants fought with swords and sorcery, while on the other they vied in tests of intellectual skill. The champions were inputted to Plexor; we are their output. "The Guild had to place an overseer over Plexor. It must be the Operating System for the Technological side, and the Prime Deity for the Magic side, and in Plexor it must be omniscient and all-powerful. Thus, the Guild generated Shekondar the Fearsome/JANUS 64, the Organism that inhabits and controls the colony. The creation of this system took twice as long as the building of Plexor itself, and in the end Keldor died, his mind overloaded by massive transfers of data from one hemisphere to the other, the Boundary within his mind destroyed and the contents Mixed hopelessly. But out of his death came the King of Two Faced, that which in Techno-Plexor is JANUS 64 and in Magic Plexor, Shekondar the Fearsome. "Though the last member of the Guild died two thousand years ago, most Plexorians have revered the King of Two Faces. But in these dark days, at the close of this age, those who know the story of Shekondar/JANUS 64 are very few. We who have kept the flame alive have trained your bodies and minds to accept this responsibility. Today, our efforts output in batch. From this room will march the Grand Army celebrated in the prophecies and songs of Magic-Plexor, whose coming has been foretold even in the seemingly random errors of JANUS 64; the band of heroes which will debug Plexor, which will fight Mixture in the approaching crisis. And for those of you who have failed to detect Mixture, who scoff that Magic might have crossed the Central Bifurcation: Behold!" The listeners had now allowed themselves to sink deep into their characters, and Councilla's words had begun to mesmerize them. Though a few had grinned at the silliness spewing out of the big speakers, the oppressive seriousness and magical unity that filled this dank chamber had silenced them; soon, cut off from the normal world, they began to doubt themselves, and heeded the Priestess. As she built to a climax and revealed the most profound secrets of Plexor, many began to sweat and tingle, fidgeting with terrified energy. When she cried, "Behold!" the spell was bound up in a word. The room became silent with fear as all wondered what demonic demonstration she had conjured up. A sssh! was heard, and it avalanched into a loud, general hiss. When that sound died away, it was easy to hear a soft, cacophonous noise, a jumble of sharp high tones that sounded like a distant kazoo band. The sound seemed to come from one of the tunnels, though echoes made it hard to tell which one. It was approaching quickly. Suddenly and rapidly, everyone cleared away from the four tunnel openings and plastered against the walls. Only when all the others had found places did Klystron the Impaler move. He walked calmly through the center of the room, leaving the radio receiver and speakers in the middle, and found himself a place in front of a hushed squadron of swordsmen. The roar swelled to a scream; a bat the size of an eagle pumped out of a tunnel, took a fast turn around the room, sending many of the men to their knees, then plunged decisively into another passage. As the roar exploded into the open, in the garish artificial light the Grand Army saw a swarm of enormous fat brown-grey lash-tailed bright-eyed screaming frothing rats vomit from the tunnel, veer through the middle of the room and compress itself into the opening through which the giant bat had flown. Some of them smashed headlong into the old boxy radio, sending it sprawling across the floor, and before it had come to rest, five rats had parted from the stream and demolished it, scything their huge gleaming rodent teeth through the plywood case as though it were an orange peel, prying the apparatus apart, munching into its glass-and-metal innards with insane passion. Their frenzy lasted for several seconds; their brothers had all gone; and they emitted piercing shrieks and scuttled off into the tunnel, one trailing behind a streak of twisted wire and metal. Most everyone save Klystron sat on the floor in a fetal position, arms crossed over faces, though some had drawn swords or clubs, prepared to fight it out. None moved for two minutes, lest they draw another attack. When the warriors began to show life again, they moved with violent trembling and nauseated dizziness and the most perfect silence they could attain. No one strayed from the safety of the walls except for Klystron the Impaler/Chris the Systems Programmer, who paced to a spot where a thousand rat footprints had stomped a curving highway into the thin sludge. Hardly anyone here, he knew, had been convinced of the Central Bifurcation, much less of the danger of Mixture. That was understandable, given the badly Mixed environment which had twisted their minds. Klystron/Chris had done all he could to counter such base thinking, but the rise of the giant rats, and careful preparation by him and Councilla and Chip Dixon, had provided proof. He let them think it over. It was not an easy thing, facing up to one's own importance; even he had found it difficult. Finally he spoke out in a clear and firm voice, and every head in the room snapped around to pay due respect to their leader. "Do I have a Grand Army?" The mumbled chorus sounded promising. Klystron snapped his sword from its scabbard and held it on high, making sure to avoid electrical cables. "All hail Shekondar the Fearsome!" he trumpeted. Swords, knives, chains and clubs crashed out all around and glinted in the mist. "All hail Shekondar the Fearsome!" roared the army in reply, and four times it was answered by echoes from the tunnels. Klystron/Chris listened to it resonate, then spoke with cool resolve: "It is time to begin the Final Preparations." An advantage of living in a decaying civilization was that nobody really cared if you chose to roam the corridors laden with armfuls of chest waders, flashlights, electrical equipment and weaponry. We did receive alarmed scrutiny from some, and boozy inquiries from friendly Terrorists, but were never in danger from the authorities. A thirty-minute trek through the deepening chaos of the Plex took us to the Burrows, which were still inhabited by people devoted to such peaceful pursuits as gaming, computer programming, research and Star Trek reruns. From here a freight elevator took us to the lowest sublevel, where Fred Fine led us through dingy hallways plastered with photos of nude Crotobaltislavonian princesses until we came to a large room filled with plumbing. From here, Virgil used his master key to let us into a smaller room, from which a narrow spiral staircase led into the depths. "I go first," said Virgil quietly, "with the Sceptre. Hyacinth follows with her .44. Bud follows her with the heavy gloves, then Sarah and Casimir with the backpacks, and Fred in the rear with his sixteen-gauge. No noise." After one or two turns of the stair we had to switch on our headlamps. The trip down was long and tense, and we seemed to make a hellacious racket on the echoing metal treads. I kept my beam on the blazing white-gold beacon of Virgil's hair and listened to the breathing and the footsteps behind me. The air had a harsh damp smell that told me I was sucking in billions of microbes of all descriptions with each breath. Toward the bottom we slipped on our gas masks, and I found I was breathing much faster than I needed to. The rats were waiting a full fifty feet above the bottom. One had his mouth clamped over Virgil's lower leg before he had switched on the Sceptre of Cosmic Force. The flashing drove away the rest of the rats, who tumbled angrily down the stair on top of one another, but the first beast merely clamped down harder and hung on, too spazzed out to move. Fortunately, Hyacinth did not try to shoot it on the spot. I slipped past, flexed my big elbow-length padded gloves, and did battle with the rat. The rodent teeth had not penetrated the soccer shinguards Virgil wore beneath his waders, so I took my time, relaxing and squatting down to look into the animal's glowering white-rimmed eye. His bared chisel teeth, a few inches long and an inch wide, flickered purple-yellow with each flash of the strobe. Having sliced through Virgil's waders to expose the colorful plastic shinguard, the rat now tried to gnaw its way through the obstacle without letting go. I did not have the strength to pull its mouth open. "A German shepherd can exert hundreds of pounds of jaw force," said Fred Fine, standing above and peering over Casimir's shoulder with scientific coolness. The rat was not impressed by any of this. "Let's go for a clean kill," suggested its victim with a trace of strain, "and then we'll have our sample." I bashed in the back of its head with an oaken leg I had foresightedly unscrewed from my kitchen table for the occasion. The rat just barely fit into a large heavy-duty leaf bag; Virgil twist-tied it shut and we left it there. And so into the tunnels. The sewers were unusually fluid that night as thousands of cubic feet of beer made its traditional way through the digestive tracks of the degenerates upstairs and into the sanitary system. Hence we stuck to the catwalks along the sides of the larger tunnels-- as did the rats. The Sceptre was hard on our eyes, so Virgil waited until they were perilously close before switching it on and driving them in squalling bunches into the stream below. We did not have to use the guns, though Fred Fine insisted on shooting his flash gun at a rat to see how they liked it. Not at all, as it happened, and Fred Fine pronounced it "very interesting." Casimir said, "Where did my radioactive source fall to? Are we going anywhere near there?" "Good point," said Fred Fine. "Let's steer clear of that. Don't want blasted 'nads." "I know where it went, but it's not there now," said Virgil. "The rats ate everything. Some rat obviously got a free surprise in with his paraffin, but I don't know where he ended up.' Fred Fine began to point out landmarks: where he had left the corpse of the Microwave Lizard, long since eaten by you know what; where Steven Wilson had experienced his last and biggest surprise; the tunnel that led to the Sepulchre of Keldor. His voice alternated between the pseudo-scientific dynamo hum of Fred Fine and the guttural baritone of the war hero. We had heard this stuff from him for a couple of weeks now, but down in the tunnels it really started to perturb us. Most people, on listening to a string of nonsense, will tend to doubt their own sanity before they realize that the person who is jabbering at them is really the one with the damaged brain. That night, tramping through offal, attacking giant rats with a strobe light and listening to the bizarre memoirs of Klystron, most of us were independently wondering whether or not we were crazy. So when we asked Fred Fine for explanations, it was not because we wanted to hear more Klystron stories (as he assumed); it was because we wanted to get an idea of what other people were thinking. We were quickly able to realize that the world was indeed okay, that Fred Fine was bonkers and we were fine. Hundreds of cracked and gnawed bones littered one intersection, and Virgil identified it as where he had discovered the useful properties of the Sceptre. This area was high and dry, as these things went, and many rats lurked about. Virgil switched the Sceptre on for good, forcing them back to the edge of the dark, where they chattered and flashed their red eyes. Hyacinth stuffed wads of cotton in her ears, apparently in case of a shootout. "Let's set up the 'scope," Virgil suggested. Casimir swung off his pack and withdrew a heavily padded box, from which he took a small portable oscilloscope. This device had a tiny TV screen which would display sound patterns picked up by a shotgun microphone which was also in the pack. As the 'scope warmed up, Casimir plugged the microphone cord into a socket on its front. A thin luminous green line traced across the middle of the screen. Virgil aimed the mike down the main passageway and turned it on. The line on the screen split into a chaotic tangle of dim green static. Casimir played with various knobs, and quickly the wild flailing of the signal was compressed into a pattern of random vibes scrambling across the screen. "White noise," said Fred Fine. "Static to you laymen." "Keep an eye on it," said Virgil, and pointed the mike down the smaller side tunnel. The white noise was abruptly replaced by nearly vertical lines marching across the screen. Casimir compressed the signal down again, and we saw that it was nothing more than a single stationary sine wave, slightly unruly but basically stable. "Very interesting," said Fred Fine. "What's going on?" Sarah asked. "This is a continuous ultrasonic tone," said Virgil. "It's like an unceasing dog whistle. It comes from some artificial source down that tunnel. You see, when I point the mike in most directions we get white noise, which is normal. But this is a loud sound at a single pitch. To the rats it would sound like a drawn-out note on an organ. That explains why they cluster in this particular area; it's music to their ears, though it's very simple music. In fact, it's monotonous." "How did you know to look for this?" asked Sarah. Virgil shrugged. "It was plausible that an installation as modern and carefully guarded as the one I saw would have some kind of ultrasonic alarm system. It's pretty standard." "Very interesting," said Fred Fine. "It's like sonar. Anything that disturbs the echo, within a certain range, sets off the alarm. Here's the question: why don't the rats set it off?" "Some kind of barrier keeps them away," said Casimir. "I agree. But I didn't see any barrier. When I was here before, they could run right up to the door-- they had to be fought off with machine guns. They must have put up a barrier since I was last down here. What that means to us is this: we can go as far as the barrier, whatever it may be, without any fear of setting off the alarm system." We moved down the tunnel in a flying wedge, making use of table leg, Sceptre and sword as necessary. Soon we arrived at the barrier, which turned out to be insubstantial but difficult to miss: a frame of angle-irons welded together along the walls and ceiling, hung with dozens of small, brilliant spotlights. At this point, any rat would find itself bathed in blinding light and turn back in terror and pain. Beyond this wall of light there was only a single line of footprints-- human-- in the bat guano. "Someone's been changing the light bulbs," concluded Sarah. The fifty feet of corridor preceding the light-wall were littered almost knee-deep in glittering scraps of tinfoil and other bright objects, including the remains of Fred Fine's radio. "This is their hangout," said Hyacinth. "They must like the music." "They want to make a nice, juicy meal out of whoever changes those light bulbs," suggested Fred Fine. Sarah's pack contained a tripod and a pair of fine binoculars. Once we had set these up in the middle of the tunnel we could see the heavy doors, TV cameras, lights and so on at the tunnel's end. As we took turns looking and speculating, Virgil set up a Geiger counter from Sarah's pack. "Normally a Geiger counter would just pick up a lot of background and cosmic radiation and anything meaningful would be drowned out. But we're so well shielded in these tunnels that the only thing getting to us should be a few very powerful cosmic rays, and neutrinos, which this won't pick up anyway." The Geiger counter began to click, perhaps once every four seconds. Sarah had the best eyes; she sat crosslegged on the layers of foil and gazed into the binoculars. "In a few minutes a hazardous waste pickup is scheduled for the loading dock upstairs," said Virgil, checking his watch. "My theory is that, in addition to taking hazardous wastes out of the Plex, those trucks have been bringing something even more hazardous into the Plex, and down into this tunnel." We waited. "Okay," said Sarah, "Elevator door opening on the right." We all heard it. "Long metal cylinder thingie on a cart. Now the end of the tunnel is opening up-- big doors, like jaws. Now some guys in yellow are rolling the cylinder into a large room back there." The Geiger counter shouted. I looked at Casimir. "Skip your next chest X-ray," he said. "If this place is what it looks like, it's just Iodine-131. Half-life of eight days. It'll end up in your thyroid, which you don't really need anyway." "I'm pretty fond of my thyroid," said Hyacinth. "It made me big and strong." "Doors closing," said Sarah over the chatter of us and the Geiger counter. "Elevator's gone. All doors closed now." "Well! Congratulations, Virgil," said Fred Fine, shaking his hand. "You've discovered the only permanent high-level radioactive waste disposal facility in the United States." Most of us didn't have anything to say about it. We mainly wanted to get back home. "Fascinating, brilliant," continued Fred Fine, as we headed back. "In today's competitive higher education market, there has to be some way for universities to support themselves. What better way than to enter lucrative high-technology sectors?" "Don't have to grovel for the alumni anymore," said Sarah. "You really think universities should be garbage dumps for the worst by-products of civilization?" asked Hyacinth. "It's not such a bad idea, in a way," said Casimir. "Better the universities than anyone else. Oxford, Heidelberg, Paris, all those places have lasted for centuries longer than any government. Only the Church has lasted longer, and the Vatican doesn't need the money." We paused for a rest in the spiral staircase, near our rat body. Casimir, Fred Fine and Virgil went back down to the bottom for an experiment. Virgil had brought an ultrasonic tone generator with him, and they used it to prove-- very conclusively-- that the rats loved the ultrasound as much as they hated the strobe. They ran back upstairs, Sceptre flashing, and I slung the rat over my shoulder and we all proceeded up the stairs as fast as our lungs would allow. The dissection of the rat was most informal. We did it in the sink of Professor Sharon's old lab, amid the pieces of the railgun. Fred Fine laid into the thorax with a kitchen knife and a single-edged razor. We were quick and crude; only Casimir had seen the inside of a rat before. The skin peeled back easily along with thick pink layers of fat, and we looked at the intestines that could digest such amazing meals. Casimir scrounged a pair of heavy tin snips and used them to cut the breastbone in half so we could get under the ribcage. I shoved my hands between the halves of the breastbone and pulled as hard as I could, and finally with a crack and a spray of blood one side snapped open like a stubborn cabinet door and we looked at the lungs and vital organs. The heart was not immediately visible. "Maybe it's hidden under this organ here," suggested Fred Fine, pointing to something between the lungs. "That's not an organ," said Casimir. "It's an intersection of several major vessels." "So where's the heart?" asked Hyacinth, just beginning to get interested. "Those major vessels are the ones that ought to go into, and come out of, the heart," said Casimir uncertainly. He reached down and slid his hand under the bundle of vessels, and pulling it up and aside, revealed-- nothing. "Holy Mother of God," he whispered. "This animal doesn't have a heart." Our own thumped violently. For a long time we were frozen, disturbed beyond reason; then a piercing beep emanated from Fred Fine and we jumped and gasped angrily. Unconcerned, he pressed a button on his digital calculator/watch, halting the beep. "Sorry. That's my watch alarm." We looked at him; he looked at his watch, We were all sweating. "I set it to go off like that at midnight, the beginning of April first, every year. It's sort of a warning, so that this one remembers, hey, April Fools' Day, anything could happen now." --April-- While we sewer-slogged, E13S held a giant party in honor of Big Wheel. It was conceived as your basic formless beer blowout, but the ever-spunky Airheads had insisted upon a theme: Great Partiers of the Past. The major styles in evidence were Disco, Sixties, Fifties and Toga. A team of sturdy Terrorists had lugged Dex Fresser's stereo up to the social lounge, which was the center of Disco activity. A darkened room down the hail featured a Sixties party, at which participants roughed up their perms, wore T-shirts, smoked more dope than usual and said "groovy" at the drop of a hat. The study lounge was Fifties headquarters, and was identical to all the other Fifties parties which had been held since about 1963 by people who didn't know anything about the Fifties. The Toga people were forced to adopt a wandering, nomadic partying existence; they had no authentic toga music to boogie to, though someone did experiment by playing an electronic version of the "1812 Overture" at full blast. Mostly these people just stood sheepishly in the hallways, draped in their designer bedsheets, clutching cups of beer and yelling "toga!" from time to time. The Disco lounge was filled with women in lollipop plastic dresses and thick metallic lipstick under ski masks, and heavily scented young men in pastel three-piecers and shiny hardware-laden shoes. The smell was deafening, and when the doors were open, excess music spilled out and filled nearby rooms to their corners. These partiers were a generation whose youth had been stolen. They had prepared all through their adolescence for the day when they could go to college and attend real discos, adult discos where they had alcohol and sex partners you could take home with no pay-rental hassles. Their hopes had been dashed in the early eighties when Disco had flamed out somewhere over New Jersey, like a famous dirigible. But the nostalgic air here made them feel young again. Dex Fresser even showed up in a white three-piecer and took several opportunities to boogie right down to the ground with shapely females in clingy synthetic wraps. On the windowsill, the Go Big Red Fan, held in place with bricks, spun and glowed in its self-made halo of black light. Overhead, a mirrored ball cast revolving dots of light on the walls, and more stoned or imaginative dancers could imagine that they were actually standing inside a giant Big Wheel. Whoooo! The picture windows were covered with newspaper, as the panes had long since been smashed and the curtains long since burned. After Dex Fresser had consumed sixteen hits of acid (his supplier had never really grasped the idea of powers of two), five bongloads of hashish rolled in mescaline, a square of peyote Jell-O, a lude, four tracks, a small handful of street-legal caffeine pep pills, twelve tablespoons of cough syrup, half a can of generic light wine and a pack of Gaulois cigarettes, he began to toy with a strobe light that was being used to establish the Disco atmosphere. He turned it up faster and faster until the lounge was wracked with delighted freakedout screams and the dancers had begun to hop randomly and smash into one another, as though they had been time-warped into Punk. Meanwhile, what passed for Dex's mind wandered over to the Go Big Red Fan, and though the time-warp effect was really blowing his tubes, he thought the fan might be slowing down; continuing to turn up the strobe, he was able to make the Little Wheel stop revolving altogether-- either that, or time itself had come to a halt! Dex spazzed out to the max. All became quiet as the propulsion reactors of a passing Sirian space cruiser damped out his stereo (the DJ had turned down the volume), and all heard Dex announce that at midnight Big Wheel would say something very important to him. He relaxed, the music was cranked back up, the strobe light hurled out a nearby window and the Fan began to rotate again. Midnight could hardly come soon enough. The partiers packed into the social lounge, sitting in rows facing the window. Dex Fresser stood before the shrouded window with his back to the crowd, and priests stood ready to tear the papers away. A few minutes before midnight, the DJ put on "Stairway to Heaven," timed so that the high-energy sonic blast section would begin at 12:00 sharp. The newspapers ripped apart, the red-white-and-blue power beams of Big Wheel exploded into the room, and the heavy beat of the rock and roll made their thoraxes boom like empty kegs. But Dex Fresser was impressively still. He stared into the naked face of the Big Wheel for fifteen minutes before he moved a muscle. Then he relayed the message to the huddled students. Speaking through a mike hooked to his stereo, he sounded loud and quadraphonic. "Tonight the Big Wheel has plans for us, man. We're going to have a fucking war." The Terrorists cheered and whooped and the Airheads oohed and aahed. "The outside people, who are all hearing-impaired to the voice of Big Wheel and Roy G Biv and our other leaders, will come tomorrow to the Plex with guns to kill us. They want to put short-range tactical nuclear weapons on the roof of D Tower in order to threaten Big Wheel and make him do as they wish. "We have friends, though, like Astarte, the Goddess, who is the sister of Big Wheel and who is going to like help us out and stuff. The Terrorists and the SUB will cooperate just like Big Wheel and Astarte do. Also, the B-men are our friends too. "We've got shitloads of really powerful enemies, says Big Wheel. Like the Administration and the Temple of Unlimited Godhead and a bunch of nerds and some other people. We have to kill all of them. "This is going to take cooperation and we have to have perfect loyalty from everyone. See, even if you think you have friends among our enemies, you're wrong, because Big Wheel decides who our friends are, and if he says they're your enemies, they're your enemies, just like that. Everything's very simple with Big Wheel, that's how you can be sure he's telling the truth. So we've got to join together now and there can't be any secrets and we can't cover up for our enemies or have mercy for them." Mari Meegan, sitting in the front row, legs tucked demurely to the side, listened intensely, eyes slitted and lips parted as she thought about how this applied to her. At this point a few people came to their senses and made a run for it. One of these, a none-too-bright advisee of mine who had been going along for the good times, realized that these people were nuts, sprinted to the nearest fire stair, and escaped unharmed, later to tell me this story. What happened after his exit is vague; apparently, Yllas Freedperson, High Priestess of Astarte, showed up, and the leaders of the SUB and of the Terrorists did a lot of planning and organizing in those next few hours. By contrast, Bert Nix celebrated the evening by incinerating himself in a storage room on C22W. He had been using it as a hideout for some time, and had gotten along well with the students, except for one problem: Bert Nix's obsession with collecting garbage. It was partly a practical habit, as he got most of his food and clothing from the trash. Far beyond that, however, he could not bring himself to throw out anything, and so in his little rooms scattered around the Plex the garbage was packed in to the ceiling, leaving only a little aisle to the door. Out of gratitude to his protectors, Bert Nix stuffed oily rags under the doors to seal the odor in. This sufficed until the evening of March 31, when he happened to open the door while a fastidious student from Saskatoon was walking by. She watched as half a dozen cockroaches over three inches long lumbered out between the derelict's bare feet and approached her, waving their antennae affably. No Airhead, she stomped them to splinters and called Security on the nearest telephone. Between then and the time they arrived five hours later, however, the fire started. It could have been spontaneous combustion, it could have been the heating system, or a suicidal whim or wayward cigarette from Bert Nix. In any event, the room became a tightly sealed furnace, and when the flames had died, all that remained were a charred corpse in the aisle and drifts of cockroach bodies piled up in front of the door. At the northern corner of the Plex's east wall, north of the Mall loading docks, the docks for student use, the mail, Cafeteria, general supply, Burrows and wide-load docks was the Refuse Area. Six loading docks opened on an enormous room with six giant trash compactors and six great steel chutes which expelled tons of garbage from their foul, stained sphincters every few minutes. When there wasn't a strike on, the compactors would grind away around the clock and a great truck would be at one dock or another at any given time, bringing back an empty container and hauling off a full one. North of the Refuse Area, in the very corner of the Flex, was the Hazardous Waste Area with its steel doors and explosion-proof walls. When scientists produced any waste that was remotely hazardous, they would seal it into an orange container, mark down its contents and take it to the Refuse Area, where they could deposit it in a chute that led into the HWA. If the container was too large for this, they could simply leave it on a dolly by the door, and the specially trained B-men would then wheel it through when it was time for a pickup. When the Hazardous Waste truck arrived, three times a day, all the containers were then loaded into its armor-plated back and hauled away. This was usually done in the dead of night, to lessen the danger of traffic accidents. So extraordinary was this disposal system that American Megaversity had won awards from environmental groups and acclaim from scientists. At 4:30 on the morning of April 1, when I should have been drinking or sleeping, I was sitting in my suite staring at the telephone. Virgil Gabrielsen, even more ambitious, was sitting by the door to the HWA in a huge orange crate about the shape of a telephone booth. "HANDLE WITH EXTREME CARE," its label read, "CONTAINS UNIVERSAL SOLVENT. DO NOT PUT ON SIDE OR EXPLOSION WILL RESULT." The same concepts were repeated by means of ideograms which we had hastily painted on the sides, showing a Crotobaltislavonian stick figure being blown to bits after putting the crate on its side. Instructions to telephone Dr. Redfield, and giving my telephone number, were added in several places. "The nuke waste has to be coming in through the HWA," Virgil had insisted, as he and I and the disemboweled rat relaxed in Sharon's lab. "I counted my steps down there in the tunnels. As far as I can tell, that elevator shaft should go right up into the northeast corner of the building. The HWA is locked and alarmed within an inch of its life, but I know how to get inside." At quarter to five, the enormous Magrov and half a dozen other Crotobaltislavonians entered the Refuse Area. As Virgil watched through strategically placed peepholes, they began with some unusual procedures. First they opened the southernmost of the six metal doors to the Access Lot. Shortly after, an old van backed up to this dock and threw open its rear doors. Two men jumped out into the Refuse Area in protective clothing, gas masks dangling on their chests, and exchanged hearty Scythian greetings with the B-men. Much equipment was now hauled out of the van, including a long metal cylinder-- an exact replica of a nuclear waste container-- and a huge tripod-mounted machine gun. Then came numerous small machine guns, what appeared to be electronic equipment and crates of supplies. These were piled on a cart and wheeled over to Virgil's position. Virgil had realized by now that this was not a business-as-usual day. At least the situation appealed to his sense of humor. The fake nuke waste cylinder opened like a casket and the two gas-masked men climbed in and lay one atop the other. The others handed them weapons and closed the lid. This cylinder was also placed next to Virgil. In the meantime, B-men bolted the big gun's tripod directly into the concrete floor at the loading dock, apparently having already drilled the holes in preparation. The weapon was aimed into the Access Lot, and loaded and checked over with an experienced air unusual among janitors. Virgil's crate was the source of a long and emotional discussion in Scythian. Occasionally Magrov or one of the others would shout something about telefon while pounding on the crate with his index finger. "Hoy!" shouted a B-man back at the machine gun. Virgil saw a glint of headlights outside. It was 4:59. A hellacious roar ensued as the determined janitors sprayed several thousand rounds per minute out the door. Magrov cut off debate by seizing Virgil's crate and wheeling it into the HWA. The gunfire was over before Virgil was all the way through the door. Once the crate was stopped and he was able to get his bearings again, he could see that he was in a somewhat smaller room with a segmented metal door in the outside wall and a large red rectangle painted in the middle of the floor. A dozen or so bright orange waste containers had been slid through the chute and were waiting on a counter to be hauled away. My phone rang at 5:01. "Profyessor Rettfeelt? Sorry, getting you up early in mornink. Magrov here. You put humongous waste container by HWA, correct?" "Yes, that's correct. Universal Solvent. Very dangerous." "Ees too tall for goink inside of vaste truck. Ve must put on her side." "No! That's dangerous. You will be blown to little bits." "Then what to do with it?" "I'll have to put it in a different container. You must leave it in the HWA overnight. I will come to the Refuse Area tomorrow night, at the time of the next pickup, and get the crate and take it away." "Good." Magrov hung up. Back in the HWA, Magrov checked his watch, then turned and shouted at a swiveling TV camera on the wall. "Ha! Those profyessors! Say! Where is truck? Very late today." "Roger, team leader, we read four minutes late," said an Anglo voice over a loudspeaker. "Maybe some trouble with those strikers. Hey! Let's cut the idle chitchat." Finally the great steel door rolled open. Through one of his peepholes, Virgil could see a hazardous waste truck backing into the brilliantly lit, fenced-in area outside. He could also see a pair of half-inch bullet holes through the outside rear-view mirror. The tiny black-and-white monitors, he knew, would never pick up this detail. When it had come to rest, the B-men unlocked the back with Magrov's keys and pulled open armored doors to reveal a stainless steel cylinder on a cart. This they rolled into the HWA, placing it in the middle of the red rectangle on the floor. Other B-men set about hauling the small orange containers into the back of the truck and strapping them down. Magrov removed guns from a locked cabinet and distributed them to himself and two others. There three took up positions in the red area around the cylinder. "Hokay, ready for little ride," said Magrov. "Roger, team leader. Stand by." A deep hum and vibration commenced. The men and the cylinder began to sink, and Virgil could see that the red rectangle was actually an elevator platform. Within seconds only a black hole remained. In five minutes the platform returned, with the B-men but without the cylinder. Displaying frank contempt for safety regulations, the B-men began to smoke profusely. The intercom crackled alive. "Crotobaltislavonia aiwa!" came the exhilarated shout. "Crotobaltislavonia aiwa!" howled the B-men, leaping to their feet. There was much whoopee-making and cigarette-throwing, and then they opened the door to the Refuse Area and carried in crate after crate of supplies and put them on the elevator platform. The platform, laden with Crotobaltislavonians, guns and food, sank into the earth once again, then returned in a few minutes carrying nine bleeding bodies in yellow radiation suits. Virgil had been expecting TV cameras. If they had them down in the tunnels, they must have them upstairs in the HWA. So after a few minutes, when Virgil was sure that the B-men were down there for the long haul, he opened a small panel in the side of his crate and stuck out a long iron rod with a magnesium tip. The important thing about the magnesium rod was that Virgil had just set it on fire, and when magnesium burns, it makes an intolerably brilliant light. Virgil soon squirmed out through the panel, a welding mask strapped over his face. Even through the dark glass, everything in the room was blindingly lit-- certainly bright enough to overload, or even burn out, the television cameras. Any camera turned his way would show nothing but purest white. To make sure, he lit two more magnesium rods and placed them on the floor around the room. Satisfied that all three cameras were now blinded, he withdrew a can of spray paint from his crate and used it to paint over their lenses. The mikes were easy to find and he destroyed these simply by shoving burning magnesium rods into them. Then he called me on the phone. "I was right," he said, "I'm safe, and you can go to sleep. But look out. Trouble is brewing." Alas, I was already asleep before he got to that last part. While the magnesium rods burned themselves out, Virgil climbed into the cab of the truck, where the corpses of its late drivers had been stretched out on the floor. The Crotos' plan was daring and their aim excellent; they needed to penetrate the truck's armored cab and kill the occupants without wiping out the engine or the gas tank. The driver's window was splattered all over the seat, the door itself deeply buckled and perforated by the thumb-sized shells. Virgil hit the ignition and drove it far enough out to wedge the electrical gates open while leaving enough space for other vehicles to pass. Back in the Plex, he made phone calls to several readymix concrete companies. Returning to the Burrows, he found a cutting torch and wheeled it back to the HWA. The red platform was nothing more than thick steel plate, and once he had gotten the torch fired up and the red paint burned away, it cut like butter. As he sliced a hole in the platform, he reviewed his reasoning: 1) Law is opinion of guy with biggest gun. 2) Biggest "gun" in U.S. held by police and armed forces. 3) Hypothesis: someone wants to break the law, or more generally, render U.S. law null and void in a certain zone. 4) This necessitates a bigger gun. 5) Threat of contamination of urban area with nuclear waste ought to fill the bill. 6) This provides a motive for taking over Nuke Dump. 7) Crotobaltislavonians have taken over Nuke Dump. 8) They either want to contaminate the city, or take over this area-- the Plex-- by threat of same. 9) Either we will all be poisoned, or else representatives of the People's Free Social Existence Node of Crotobaltislavonia will dictate their own law to people in this area. 10) This does not sound very nice either way. 11) Maybe we can destroy their gun by blocking the possible contamination routes. The elevator would be their preferred route, as it would provide direct access to the atmosphere. A rough steel circle about two feet across pulled loose and dropped into the blackness. Virgil pulled back his mask and peered down. The circle's edge was still red hot, and as it fell through the blackness, he could see it spinning and diminishing until it smashed into the bottom. The clang reached his ears a moment later. Through the hole he could smell the odor of the sewers and hear occasional arguments among rats. Hearing the whine of a down-shifting truck, he shut off the torch and ran out into the Access Lot. Virgil directed the cement truck through the jammed gate and up to the loading dock. He directed the driver to swing his chute around and dump the entire load into the freshly cut hole. The driver was young, a philosophy Ph.D. only two years out of the Big U. He obviously knew Virgil was asking him to commit an illegal act. "Give me a rational reason to dump my cement down that hole," he demanded. Virgil thought it over. "The reasons are very unusual, and if I were to explain them, you would only be justified in thinking I was crazy." "Which doesn't give me my rational reason." "True," admitted Virgil. "However, let's not forget the conventional view of craziness. Our media are filled with images of the crazy segment of society as being an exceptionally dangerous, unpredictable group. Look at Hinckley! Watch any episode of T. J. Hooker! So if you thought I was crazy, the reaction consistent with your social training would be to do as I say in order to preserve your own safety." "That would be true with your run-of-the-mill truck driver," said the truck driver after agonized contemplation, "who tends to be an M.A. in sociology or something. But I can't make an excuse based on failure to think independently of the media." "True. Follow me." Virgil walked across the HWA, leading the truck driver over to the heavy door that led into the Refuse Area. Here he paused, allowing the truck driver to notice the long red streaks on the floor. Virgil then opened the door and pointed at the nine bloody corpses, which he had dragged there to get them off the platform. "Having seen the remains of several savagely murdered people, you might conclude that my showing them to you so dramatically constituted a nonverbal threat. You might then decide-- " but the truck driver had already decided, and was running for the controls at the back of the truck. The concrete was down the hole in no time. The truck driver did not even wait to be given an official American Megaversity voucher. After that, trucks arrived every fifteen minutes or so for the rest of the morning. Subsequent truckers, seeing wet cement slopped all over the place, impressed by Virgil's official vouchers, were much less skeptical. By lunchtime, twenty truckloads of cement were piled up behind the sliding doors at the bottom of the elevator shaft. The first Refuse Area dock was still open. After blowing the crap out of the hazardous waste truck, the B-men had hauled the real radioactive waste cylinder out and left it there in the doorway. Virgil had the last driver bury the cylinder in cement where it sat. He smoothed out a flat place with his hand and inscribed: DANGER. HIGH LEVEL RADIOACTIVE WASTE. TRESPASSERS WILL BE STERILIZED. His day's work was done. Unbeknownst to anyone else, the two most important battles of the war had already been fought. The Crotobaltislavonians had won the first, and Virgil the second. Once the actual war got started, things happened quickly. In fact, between the time that S. S. Krupp and two of his associates and I had got on an elevator and the time we escaped from it, the situation had changed completely. S. S. Krupp felt compelled to visit E13S after its riot/party of the night before, somewhat in the spirit of Jimmy Carter visiting Mount Saint Helens. Naturally, as faculty-in-residence for E Tower, I was asked to serve as tour guide. It was preferable to washing dung off my boots, but only just. Krupp arrived at the base of E Tower at 11:35 A.M., fresh from a tour of Bert Nix's cremation site. Considering the gruesome circumstances, not to mention the journalists and the SUBbie screaming directly into his ear, he looked relaxed. With him were Hyman Hotchkiss, Dean of Student Life, and Wilberforce (Tex) Bracewill, Administrator of Student Health Services. Hyman looked young, pale and ill. Tex had seen too much gonorrhea in too many strange places to be shocked by anything. They were so civilized that they viewed my Number 27 BILL'S BREWS softball jersey as though it were a jacket and vest, and shook my hand as though I had saved their families from death sometime in the distant past. Here in the lobby the sixteen elevators and four fire stairs of E Tower emptied together into a desert of vandalized furniture, charred bulletin boards and overflowing wastebaskets. I didn't know about events on E13S yet, and my guests were doubtless still considering the charred remains of Bert Nix, so we were not suspicious when elevators 2, 4 and 1 remained frozen at the thirteenth floor for ten minutes. Only number 3 moved. When it got to us, it was packed with students. Two got off, but the rest explained in dull voices that they had missed their floor and were staying on for the return trip. Therefore the journalists and protesters found no room in the compartment; only the four of us could squeeze in. This chummy group rode to the Terrorist-controlled ninth floor, where everyone else got off. As the doors slid shut, a burnout who had just disembarked turned around to say, "Sweet dreams, S. S. Krupp." We started up again. "Shit!" said Krupp. "We've got a problem. Everyone get on the floor. Tex, you got your .44?" Of course he did. Much to the concern of the SUB, Tex was massively armed at all times, on the theory that you never knew when degens might come and shoot up the clinic looking for purer highs. He was prepared to go out like a true AM administrator. Dropping stiffly to the floor, he paused on his knees to whip a humongous revolver out of his briefcase and hand it to Krupp. "Hope we don't have to shoot it out on thirteen," he said. We agreed. Krupp tore from Tex's briefcase a medicine bottle, struggled with the childproof cap, yanked out the cotton wad, tore it in half and stuffed it into his ears. At this point I began to experience terror, more of Krupp than of whatever he was planning to dismember with that howitzer. We passed the twelfth floor and the elevator crashed to a stop. Above us, from the elevators still halted on thirteen, we heard excited yelling. "I get it." Krupp cocked the revolver and we all plugged our ears as he pointed it at the ceiling, The bullet vaporized the latch on the trap door and flipped the door open as well. We saw light above us. Krupp's second shot annihilated the light in our car. I felt as though my fingers had been driven three inches deep into my ears; my eyelids fluttered in shock and my nose complained of dense smoke. Krupp now stood up in the darkness and fired the remaining three rounds through the trapdoor. With a sigh and a thump, a corpse crashed into our roof. At a great distance I heard Tex say, "Sep. Here's a speed loader." After some clicking and cursing, Krupp fired two more rounds-- the natives were getting restless-- and tugged at my shirt, "Leg up!" he shouted. I stood and made a step of my hands, and he used it to propel himself through the trap door. Once he had scrambled through, I jumped and dragged myself to the roof after him. The only thing I was scared of was touching the corpse; other than that, one place was as dangerous as another. Krupp, who did not share my fear, retrieved a revolver from the body and handed it to me. He began scaling the emergency ladder on the shaft wall. When he got to thirteen, he pounded the wall switch and the doors slid open. Seeing him jump through the aperture onto thirteen, I began to follow him up the ladder, not really thinking about what I'd do when I arrived. The two adjacent elevators began to head down, and as they passed, someone on a roof fired off a wild shot in my direction. A tremendous roar rang up and down the shaft. It came in three bursts, and not until the third one did I realize it was machine-gun fire. I had been dimly aware of it-- "Oh, that's a machine gun being fired"-- but it was not for a few moments that I comprehended that machine guns were in use at my institution of higher learning. There were also three WHAMs, and then silence. Taking this as a good sign, I dove through onto thirteen and lay there dazed, looking at an elevator lobby dotted with strings of machine-gun fire and blood pools, tracked and smeared by hasty tennis-shoe footprints that converged on the two elevators. I sat up timidly. Krupp went to the far side of a large pillar and retrieved an assault rifle from a dead soldier. "See," he said, pounding hollowly on the pillar with the butt of the rifle, "these pillars are just for show. Just a little girder in the middle and the rest is plaster and chicken wire. Don't want to hide behind them." Judging from the bullet holes in the pillar and the unmoving legs and feet on the other side, someone had recently been in dire need of Krupp's architectural knowledge. "Can't believe they're handing out loaded Kalashnikovs to cretins like that, whoever it is that's running this show," he grumbled. "These youths need ROTC training if they're going to pack ordnance like this," "Maybe this is someone's ROTC program," I suggested, trying to lighten the atmosphere. Krupp frowned. "Maybe this is someone's ROTC," I shouted, remembering the cotton. He nodded in deep thought. "Very good. What's your field again?" "Remote sensing. Remote sensing. Involves geography, geology and electrical engineering." "I'm listening," Krupp assured me in the middle of my sentence, as he walked to the two corners of the lobby to peer down the hallways. "But you'll have to speak up," he added, squeezing off a half-second blast at something. There was an answering blast, muffled by the fire doors between the combatants, but it apparently went into the ceiling. Impressed, Krupp nodded. "Well, we've got two basic tactical options here," he continued, ejecting the old clip and inserting a fresh one taken from the dead SUBbie, "We can seize the wing, or retreat. Based on what we've seen of these sandbox insurrectionists, I don't doubt we can stage a takeover. The question is: is this wing a worthwhile strategic goal in and of itself, or is my strong inclination to seize it singlehandedly-- almost, excuse me-- just what we call a macho complex these days? Not that I'm trying to draw us into psychobabble." He glared at me, one eyebrow raised contemplatively. "Depends on what kind of forces they have elsewhere." "Well, you're saying it's easier to make tactical decisions when one has more perfect information, a sort of strategic context from which to plan. That's a predictable attitude for a remote-sensing man. The aereal point of view comes naturally to a generalistic, left-handed type like you." He nodded at my revolver, which I was holding, naturally, in my left hand. "But lacking that background, we'll have to use a different method of attack-- using 'attack' in a figurative sense now-- and use the more linear way of thinking that would suggest itself to, say, a right-handed low-level Catholic civil engineer. Follow?" "I suppose," I shouted, looking down the elevator shaft at Tex's face, barely visible in the dim light. "For example," continued Krupp, "our friends below, though we must be concerned for them, are irrelevant now. Presumably, the students on this wing will do the rational thing and not attack us, because to attack means coming into the halls and exposing themselves to our fire. So we control entry and exit. If we leave now, we'll just have to retake it later. Secondly, this lobby fire stair here ensures our safety; we can always escape. Third, our recent demonstration should delay a reinforcement action on their part. What I figure is that if we move along room by room disarming the occupants, they'll be too scared by what happened to that guy in the hall to try any funny stuff. Christ on fishhooks!" Krupp dove back into the safety of the lobby as a barrage of fire ripped down the hall, blowing with it the remains of the fire doors. We made for the stairway and began skittering down the steps as quickly as we could. By the time we had descended three flights, the angry shouts of Terrorists and SUBbies were pursuing us. The shouters themselves prudently remained on their own landing. "We're okay unless they have something like a hand grenade or satchel charge they can drop down this central well," said Krupp. "Hold it right there, son! That's right! Keep those paws in the air! Say, I know you." We had surprised Casimir Radon on a landing. He merely stared at S. S. Krupp's AK-47, dumbfounded. "Let's all hold onto our pants for a second and ask Casimir what he's up to," Krupp suggested. "Well," said Casimir, taking off his glacier glasses to see us better in the dim stairwell. "I was going to visit Sarah. Things are getting pretty wild now, you know. I guess you do know," he concluded, looking again at the assault rifle. "Physics problem:" said Krupp, "how far does a hand grenade fall in the seven seconds between handle release and boom?" "Well, air resistance makes that a toughie. It's pretty asymmetrical, and it would probably tumble, which makes the differential equation a son-of-a-bitch to solve. You'd have to use a numerical method, like" "Estimate, son! Estimate!" "Eight hundred feet." "No problem. But what if they counted to three? How far in four seconds?" "Sixteen times four two hundred fifty-six feet." "If they count to five?" "Two seconds sixty-four feet." "That's terrible. That's six stories. That would be about the sixth floor, which is where we make the run into the lobby. Do you think they'd be dumb enough to pull the pin and count to five?" "Not with a Soviet grenade." "Good point." "If I'm not mistaken, sir," said Casimir, "they all have impact fuses on them anyway. So it'd go off on six in any case." "Oh. Well what the hell?" said Krupp, and started to run down the stairs again. "Wait!" I said. Krupp stopped on the next landing. "You don't want to go up there," I told Casimir. "Yeah. If you think it's wild down there, you should see thirteen. It's wilder than a cat on fire, thirteen. Those people are irrational," said Krupp. "Are you going to stop me by force?" asked Casimir. "Well, anyone traveling with S. S. Krupp today is a prime target, so I couldn't justify that," said Krupp. "Then I'm going," said Casimir, and resumed his climb. "Let's get a move on. Let's build up a good head of steam here so we can charge right through the danger zone at the bottom. I think the twenty-third psalm is in order." Reluctantly, I left Casimir to his own dreams and we began to charge down the steps side by side, crossing paths at each turn, listening upward. I saw a 7 painted on the wall. We were practically diving down the last flight when I heard someone yell "Five!" We were on the level now, sprinting for a door with a small rectangular window and a sign reading E TOWER MAIN LOBBY. "Did he say five, or fire?" Krupp wondered as we neared the door. We punched it open together and were in the lobby. And there, waiting for us, were three Crotobaltislavonians with UZIs. "Professionals, I see," said Krupp. He had gone through on the hinged side of the door and now pushed it all the way around so that it was flat against the lobby wall, where he leaned against it. Back in the stairwell there was a series of metallic clanks, like something heavy bouncing off an iron pipe. Having seen many TV shows involving foreigners with submachine guns, I had already raised my hands; I now took the opportunity to clap them over my ears. Krump. Bits of fire shot out the door at incredible speed. The three janitors just seemed to melt and soften, sagging to the floor quietly. "It worked," said Krupp, sounding drunken and amazed. Trying to walk around, I found that the concussion had scrambled my inner ear; stars shot around like tracer bullets. I went to a wall phone, dialed Lucy and Hyacinth's number, and listened to it ring. At each ring my head cleared a bit. They were not answering. Had the Terrorists taken twelve? I redialed; no answer. After eight rings I lost my mind, gripped the handset that had withstood untold vandalism attempts and jerked it out by its roots. I grabbed its shattered wires and swung it into the wall like a mace, ludicrously enraged, and began to stumble back toward the stairway. "Hate to bust in, but we've got to stop porch-setting here," shouted Krupp from the lobby entryway. He lay on the floor with the AK-47 pointed down the hall. "What about these B-men?" "They'll keep." "I'm not leaving. My friends are up on twelve. Hey, look. These men are in pain okay? I'm going to tell their friends upstairs they've got wounded down here." "Could do that," said Krupp, "but Casimir's in the stair well, If they come down this way, he'll be like a hoppity toad in a snake stampede." For the first time, we heard shouting and shooting from the main hallway which led to the Cafeteria. "Don't look forward to fighting my way through whatever that sounds like," said Krupp. "Shit. Shit in a brown bag. Great fucking ghost of Rommel," I said. "That thing is a tank." - Indeed, a small tank was approaching our location. We retreated. For Fred Fine too it was a hell of a day. He was physically burned out to begin with. The Grand Army of Shekondar the Fearsome had stood at yellow alert for two days, and he had worked like an android the whole time, directing the stockpiling of supplies and material in the most secure regions of Plexor. Klystron may have been a haughty swordsman who reveled in single combat, but Chris the Systems Programmer was a master strategist who understood that, in a long war, food was power. The recent Mixture of Klystron and Chris was regrettable, but it did enable him to plan for the coming weeks with magical intuition and technological knowledge, a combination that proved extremely potent. Finally Consuela and Chip Dixon had insisted that he sleep, and Klystron/Chris had okayed the rec. He slept from the close of our expedition until 1200 hours on April First, then rolled smartly out of the sack, called an aide for a quick briefing and proceeded to the mess hall for some grub and a few cups of joe. It was there, in the Cafeteria, just as he had predicted, that the war began. Many things contributed to its success. The MegaUnion finally found the secret elevator used to smuggle scab workers into the Caf, resulting in fights between the Haitian and Vietnamese cooks and the professors and clerical workers who stood in their way. The outcome was predictable, and when the battered progressives returned to the main picket outside the Caf entrance, Yllas Freedperson exhorted them to hang tough, to further peace and freedom in the Plex by finding the violent people who had hurt them and bashing their brains out. Mobs of hungry students broke through the picket lines empty-handed, obviously bent on eating scab food. The unionists were still so pissed off from the earlier fight that more scuffling and debris-throwing ensued. Twenty TUGgies carrying anti-communist signs took advantage of the confusion to set up a barrier around the SUB information table and erect their OM generator, a black box with big speakers used to augment their own personal OMs, which they now OMed through megaphones. A picket-sign duel broke out; it became clear that the SUB had reinforced their picket signs to make them into dangerous weapons. At a sign from their leader, Messiah #645, the TUGgies produced sawed-off pool cues and displayed highly developed kendo abilities. All the Terrorists then seemed to arrive together. Twenty Droogs, thirty-two Blue Light Specials, nineteen Roy G Bivs, eight Ninja with Big Wheels on their foreheads, four of the Flame Squad Brotherhood and forty-three of the Plex Branch of the Provisional Wing of the Irish Republican Army (Unofficial) marched in with their politically correct bag lunches and, shouting and waving sticks in the air, demanded that a large area be cleared of scab sympathizers and other scum so they could sit down. This section contained a table of twenty-five athletic team standouts, heavily drunk, as well as a number of people on ghetto scholarships who really knew how to handle unpleasant situations. Much hand-to-hand violence took place and the Terrorists were humiliated. There were more of them, though. A huge arena ring formed around the brawl and tables were herded to the walls to make room. The SUB showed up, decided that the brawl was ideologically impure, and began chanting and throwing food. This triggered the Cafeteria's mass food fight emergency plan; but as the enforcers began to emerge from the serving bays, they were met by MegaUnion partisans who wanted to get them out in the open. Short on brawling power because of the inexplicable absence of the Crotobaltislavonians, the MegaUnion was bested here. The Haitians and Vietnamese, who had built up fierce hatred for the Terrorists, took this opportunity to rush into the central brawl. The SUB tried to block them, without success. The TUGgies charged after the SUB to make sure they didn't do anything illegal. The fight was frenzied now; a flying wedge of cooks speared back toward the kitchen to obtain big knives. Upstairs in the towers, SUB/Terrorist extremists who were apparently waiting for something like this began to bombard the roof of the vast kitchen complex with heavy projectiles. On cue, the administration's anti-terrorism guards, stationed on Tar City and in some wings and on top of towers, responded by blasting tear gas grenades into the SUB/Terrorist strongholds. Already there were gaping holes in the roof; above the tumult, everyone in the Caf now heard the booms of the grenade launchers-- every gun in the place was drawn for the first time. Shooting began, at first to scare and then to injure. People scrambled to the walls, throwing furniture through the wide plate-glass wall sections to escape. But some were unable to get out, and others were happy to stay and fight. After a minute of incomprehensible noise and violence, battle lines formed and things became organized. Obviously SUB and TUG were prepared. Both groups hoped to capture the kitchen by entering through the serving bays and vaulting the steam tables, Local fights hence developed along the approaches to all twelve serving bays. Squads from both groups made for the main serving bay, ducking sporadic fire. The SUB got there first, shot the lock out and kicked the door; but there was a senior TUGgie barricaded behind a steam table, with a heavy machine gun aimed at them and a smiling protÉgÉ holding the ammo belt. The gunner watched cheerfully as the SUBbies jumped back and rolled away from the door, but held his fire until the TUGgies behind them had jumped through the breach and scurried out of the line of fire. He immediately opened fire on a strategic SUB salad bar across the Cafeteria. This entailed shooting through several tables, but he had plenty of ammo, and as soon as the furniture was conveniently dissolved, a river of red tracer fire could swing around and demolish whatever it touched, such as a milk machine, a number of people, and, of course, the flimsy salad bar. The SUBbies retreated and joined their Terrorist allies in safer places. Klystron/Chris knew as well as anyone that the kitchens were the strategic linchpin of the Plex. He was the first person in the Cafeteria to decide that war was breaking out, and so during the early stages of the great fistfight he mobilized and girded his loins for the Apocalypse. Retreating to a corner, he dumped the now-useless textbooks out of his briefcase and withdrew the bayonet, which he stuck in his belt, and the flash gun, which he carried. As the booms and thuds from the ceiling indicated that aerial bombardment had begun, he flexed his fingers, then shoved his right hand into his left armpit and snapped out a standard-issue .45 automatic pistol-- just to test the shoulder holster one last time. After cocking the weapon he gingerly slid it back under his houndstooth polyester blazer and turned toward the nearest serving bay. A burst from the flash gun got him through the door and over the steam tables into the kitchen area. Here was chaos: scab workers running to and fro, some with knives; Cafeteria administrators telling him to get the hell out of here, an opinion his flash gun then modified; particularly bold SUBbies and TUGgies making their first inroads; a man in a flannel shirt carrying a .50-caliber machine gun-- that could be a problem-- all of this in an almost primeval landscape littered with sections of roof, piano fragments, scattered food and utensils, broken pipes spewing steam and water, sparks and flames breaking out here and there. The elevator he sought was at the dead-end of a hallway, hidden in the nethermost parts of the kitchens, back by the strategic food warehouses. Arriving safely, Klystron/Chris protected his rear by slitting open and overturning several hundred-pound barrels of freeze-dried potatoes and dehydrated eggs near the doorway, where hot water spewed from a broken ceiling pipe. Without waiting to watch the results he jogged down and boarded the elevator, held for him by a captain of the Grand Army of Shekondar the Fearsome. Below, in the Burrows, he emerged to find all in readiness: several officers awaiting orders; his body armor and weapons; and in a nearby storage closet, the APPASMU, or All-Purpose Plex Armed Strife Mobile Unit. The APPASMU was a project begun three years ago by several MARS members. Starting out as a joke-- a tank for use in the Plex, ha ha-- it became a hobby, a thing to tinker with, and finally, this semester, an integral part of the GASF defense posture. The tank was built on the chassis of an electric golf cart, geared down so that its motor could haul additional weight. The tires had been filled with dense foam to make them bulletproof, and a sturdy frame of welded steel tubing built around the cart to support the rest of the innovations, Hardened steel plates were welded to the frame to make a sloping, pyramidal body in which as many as four people could sit or lie. Gun slits, shielded peepholes and thick glass prisms enabled the occupants to see and shoot anything in their vicinity, while a full complement of lights, radios, sirens, loudspeakers and so forth gave the APPASMU eyes and ears and vocal cords. The APPASMU had been designed to fit into any elevator in the Plex. It could recharge its batteries at any wall outlet, and replacement battery packs had already been stashed at several secret locations around the building. From status reports provided by underlings as he pulled on his gear, Klystron/Chris learned that S. S. Krupp was trapped in a hostile area of E Tower. Such a mission was perfect to battle-test the APPASMU and toughen up its crew, and so after barking some orders to his major officers he squeezed into the tank along with three others and steered it backward into the elevator. The situation upstairs had begun to take on some texture. The dead-end outside the elevator was blocked by a mountain of light-yellow potato-egg mixture. The APPASMU plowed through with ease, and Klystron/Chris could now hear the rumble of the heavy TUG machine gun. The APPASMU could not withstand such firepower, so Klystron/Chris decided to outflank it by exiting the kitchens through a back route. He aimed the APPASMU down an aisle lined with great pressure vats and headed for the door. Unfortunately a stray weapons burst had struck a pressure vat by the exit. The top of the vat exploded off, blasting a neat hole through the ceiling, and the vat, torn loose by the recoil, tumbled over and spilled thousands of gallons of Cheezy Surprise Tetrazzini onto the floor. This mixture had long, long overcooked in the fighting, causing the noodles to congeal into a glutinous orange mass with an internal temperature over three hundred degrees Fahrenheit, which had rolled out on impact and squatted sullenly in the doorway, swathed in its nebula of live orange steam. Klystron/Chris fired a few desultory rounds into it and concluded that this doorway was now impassable. They would have to choose a serving bay, pass through the Caf and hope to avoid the TUG machine gun-- exactly what the APPASMU was built for, though to fire it now would be to use up their first and only surprise. "Well have to make the most of it, men. We'll head for the lines of the SUB/Terrorist Axis and pick up all the weaponry we can find. If you see anything that looks like it's armor-piercing, sing out!" Without further chitchat, and accompanied by a soft plopping of potato-egg, the minitank was out of the kitchen and into a serving bay which was being disputed in hand-to-hand combat. The astonished fighters could only stand in confusion, and only two rounds glanced off the APPASMU's armor before they entered the Caf. The tank's entrance occasioned a surprised lull in the fighting. Klystron/Chris and Chip Dixon used the flat-trajectory indoor mortars to lob a few stun grenades behind the line of overturned tables and main salad bar that served as the SUB bunker. At this, the Axis forces turned and ran through the shattered plate-glass walls behind them and scurried for F Tower. The poorly armed wretches who had been pinned down by their presence emerged and sprinted for the exits. They got a fine haul from the stunned and demoralized soldiers in the Axis bunker: a Kalashnikov, a twelve-gauge slug gun, ammo, knives, clubs and gas masks, all plastered with smoldering lettuce and sprouts but functional. After collecting the booty and using his intercom to dispatch a negotiator to cut a deal with the TUGgies-- who were clearly winning in this theater-- Klystron/Chris sent the APPASMU crashing magnificently through a plate-glass panel that had miraculously remained unbroken, and pointed it toward E Tower and the endangered Septimius Severus Krupp. There we met them, below E Tower. From a distance we could make out the insignia: a stylized plan of the Plex (eight Swiss crosses within a square) with a sword and phaser rifle crossed underneath and the word MARS above. "I guess that would be Fred Fine," I said. The top hatch flipped open and a helmeted, goggled head arose, speaking through the PA system. "This is the Grand Army of Shekondar the Fearsome Expeditionary Plex Purification Warfare Corps. Resistance is useless." The tank pulled up next to us, and Fred Fine pulled back the mask to reveal (alas) his face. He spoke with his usual grating humility. "Mr. President. Professor Redfield. Sorry if we upset you. This is a little something we've been developing as a career suitability demonstration project during the recent years of decaying civilization. In fact, once we're on secure ground, I'd like to discuss the possibility of receiving some academic credit for it, Mr. President. The basic design principles are the same as for any armored vehicle." "I see that," said Krupp, nodding. "Heimlich would go nuts over this. But what you need, I think, are more liberal arts courses." "Dr. Redfield will find the infrared personnel sensing equipment very interesting. But sirs, we have heavy fighting in the Cafeteria. My men have secured the other end of this hallway while I came to get you." Chip Dixon had clambered out to reconnoiter and inspect the APPASMU. Seeing the three mangled B-men, he scurried over to them and slid his hand under one's ear to check his pulse. A queer look came on his face and he stared directly up at Fred Fine. "Jim, he's dead," he whispered. "Sir to you," said Fred Fine, nonplussed, "and my name is not Jim, it's . . . something else. Anyway, sirs, my men are now securing D Tower, with direct elevator connections to the Burrows. We've arranged with your anti-terrorist forces to courier you to C Tower, which they are securing. Chip will steer the APPASMU, you'll sit in my place and I'll serve as point man. Dr. Redfield is welcome to follow. But first we must retrieve those weapons!" He clomped over to the remains of the Crotobaltislavonians. Sarah slept until about noon, when a corpse burst through her window. Her eyes were half open, so that it exploded out of a dream: a leathery female cadaver from the Med College, wearing the wig Sarah had left behind in Tiny's room, white clown makeup smeared on the face. This effigy had been placed in a hangman's noose and thrown out the window above hers; it swung down and crashed through her window, then swung out and in and out as Sarah struggled between sleep and awakeness, disbelief and terror. At last she chose awakeness and terror, and stared at the corpse, which grinned. She tried to scream and gag at the same time, but did neither. Outside she heard the excited whispers of the lurking Terrorists. She took three slow breaths and pulled her .38 from under her pillow. As she was sliding her feet into her running shoes, she found a big shard of window glass on one of them and nearly panicked. She picked up her phone and punched out Hyacinth's number (after the rape attempt she had bought a pushbutton phone so she could dial silently). Hyacinth answered alertly. Sarah pushed the 1 button three times and hung up, stood, slipped on the pack containing her emergency things and padded to the door. Sleeping in her long johns was neither cool nor glamorous, but proved useful nonetheless. There was a long wait. The Terrorists were quietly getting impatient. wondering whether she was in there, talking about shooting the door open--they knew a police lock would be difficult to blow off. Sarah stood shivering, feet on marked places on the floor, gun in right hand, doorlock in left. If only there had been a way to practice this! Hyacinth's gun sounded. Horribly slow, she snapped the lock, moved her hand to the doorknob, grasped it, turned it, swung the door open and examined the five men standing there. They were looking sideways toward Hyacinth. As they began to turn their faces toward her, she finally picked out the one with the gun-- thanking God there was only one gun. For just a second now they were trapped and helpless, caught in a double take, trying to process the new information. For the first time Sarah understood how generals and terrorists made their plans of attack. The one with the shotgun had turned it toward Hyacinth and now seemed indecisive. The other men were stepping back and dropping to the floor. Sarah's finger twitched and she fired a round into the ceiling. The rest happened in an instant. She pointed her gun at the head of the armed man. One of the other four suddenly whipped a handgun from his belt. Sarah wheeled and shot him in the stomach. The one with the shotgun tried to swing around but scraped the end of his barrel on the wall; Sarah and Hyacinth fired two shots apiece; three missed, and one of Sarah's hit the man in the arm and dropped him. The other three had simply disappeared; looking down the ball, Sarah saw them piling into the fire stairway. There was less blood than she had expected. Before she could examine the two wounded, Hyacinth floated past and Sarah followed. They ran to the elevator lobby, where Lucy was waiting with an elevator and another gun. That was what had taken so long-- an elevator! But many Terrorists were pouring into the lobby as the doors began to creep shut. A Terrorist glided toward the wall buttons, hoping to punch the doors open; Sarah made eye contact with him; he kept going; she fired a shot whose effects she never saw. The doors were closed, joining in front of them to form a Big Wheel mural. The car was motionless for a sickeningly long time, and then shifted and began to sink. Casimir Radon only came in at the end of it. He had gotten up earlier than any of us that morning. Opening his curtains to let in the gray light, he had seen the blind patches grow, and had put on his glacier glasses before allowing any more light past his eyelids. He lay in bed until the blind spots had shifted over to the right side of his vision, then read some physics and tinkered with the railgun's electronics. Finally he went to lunch; but seeing the outbreak of violence there, he headed back up the stairs to look for Sarah, meeting me and Krupp. After we parted, he continued resolutely. placing his feet as gently as possible on each tread and pressing carefully until he moved up to the next step. As a result he moved with a smoothness that was not even noticed by the little embryonic headache in his brain. A few seconds after leaving us behind, something flashed by him down the center of the stairwell, and a second later-- accompanied by a brief stabbing light-- came a sharp awesome KABOOM that KABOOMed many times over as it bounded up and down the height of the stairwell. To Casimir it was like being bayoneted through the head, and when he dared to move again, the headache struck so badly that he could only laugh at it. He proceeded toward the Castle in the Air with a helpless moaning laugh, heels of hands buried in temples, and heard other, less tremendous explosions. The door to E12S was open and three Terrorists were running through in a panic, headed for thirteen. Something white flashed by the door, heading for the lobby. Casimir ran into the hall and was promptly knocked aside by a migration of Terrorists, who emerged from several nearby rooms. Falling, he glimpsed Sarah and Hyacinth, clad in white long johns, running with guns and backpacks down the hall. He managed to trip a few of the Terrorists, more by flailing away randomly than by craftiness, and stood up and began to head for the elevators too. As he approached the lobby, there was another painful WHAM and he felt a sharp pain in his chest. He had no idea what had happened. In fact, Sarah's last bullet, after ricocheting off several walls and passing through a fire door, had in mangled form dispersed its last bit of energy by bouncing sharply off Casimir's T-shirt. Something hard was against the back of his head-- the floor? The Terrorists were standing above him. He stood up. Two wounded men were being carried toward him, leaving uneven trails of blood on the shiny tile floor. He followed these trails to their sources, and stepped through Sarah's open door. A clown-cadaver was smiling at him through the window and he knew he was hallucinating. Nothing he did could dissolve the ghastly sight. Noticing a Terrorist looking at him from the doorway, he walked over, slammed the door in his face and locked it. Then he wandered around the room, picking up and examining random objects-- numerous mementos of Sarah's friends and family, books he would never read, a little framed collection of snapshots. A family portrait, graduation photos of several smiling good-looking earnest types-- which was her boyfriend?-- and various shots of Sarah and friends being happy in different places, including some of Hyacinth. Tucked in one corner of the frame was a folded piece of paper. Casimir felt filthy reading it; it was obviously a love note. He had never gotten one himself, but he figured this was one of them. Getting to the bottom, he read the name of the mysterious man Sarah so obviously preferred to Casimir: Hyacinth. He sat on her bed, elbows on knees, scarcely hearing the shouting outside. He smiled a little, knowing Sarah and Hyacinth had made it out safely. He knew why he'd come up here. Not to assist Sarah, or go with her, but to save her. To create a debt of gratitude that could neither be erased nor forgotten. She would have to love him then, right? This impossible secret hope of his had made his thoughts so twisted and complicated that he no longer knew why he was doing anything; he was never one to analyze his pipe dreams. But now she was safe. His goal was accomplished. And if she had done it herself, and not seen him, then that was his fault. She was safe, and now he had to be happy whether he wanted to or not. Most importantly, he had seen the proof he had needed for so long, the undeniable proof that she would never be in love with him. All his wild fantasies were impossible now. He could purge himself of his useless infatuation. He could relax. It was wonderful. The Terrorists shot out the lock, came in and grabbed his arms. In the hall he was thrown on his back and straddled by a Terrorist while others sat on his arms and legs. Then they all stared at him dully, lost and indecisive. "Let's knock his teeth out," said a voice from behind Casimir. A hammer was given to the man on his chest. Someone held Casimir by the hair. Casimir's vision was sharp and bright without the glacier glasses; the hammerhead was cold and luminous in the white light, finely scratched on its polished striking face, red paint worn way from use. The Terrorist was examining Casimir's face as though he could not find the mouth, neither excited nor scared, just curiously resigned to what he was doing and, it seemed, at peace with himself. This is what I get, being heroic for the wrong reason, thought Casimir. He could not take his eyes off the hammer. He began to struggle. His captors clamped down harder. The torturer made a swing; but Casimir jerked his head to one side and the blow slid down his cheek and crushed a fold of neck skin against the floor. Then he felt a light tingly feeling and sat up. The hammerer slid backward onto the floor. Casimir's hands were free and he punched the man in the nuts, then pulled his legs free and stood up. Everything he touched now snapped away and started bleeding. Someone was coming with a shotgun, so Casimir re-entered Sarah's room and bolted the door with her police lock. He smashed the photo frame on her desk, removed a snapshot of Sarah and Hyacinth, wrapped it in Kleenex and put it in his pocket. The only potential weapon was a fencing saber, so he took that. He knocked over a set of brick-and-board shelves, and using one brick as a hammer and another as an anvil, snapped off the final inch of the blade to leave a clean, sharply fractured edge. When he opened the door again, all he had to do was push the barrel of the shotgun out of the way and push his saber through one of the owner's lungs. The gun came free in his hand and he hurled it backward out the window, where it bounced off the cadaver and fell to Tar City. In the ensuing melee Casimir slashed and whipped several Terrorists with the blade, or punched them with the guard, and then they were all gone and he was walking down the stairs. His destination was a room in a back hallway far beneath A Tower: University Locksmithing. This was the most heavily fortified room in the Plex, as a single breach in its security meant replacing thousands of locks. It had just one outside window, gridded over by heavy steel tubes, and the door was solid steel, locked by the toughest lock technology could devise. As Casimir approached it, he found the nearby corridors empty. The security system was still on the ball, he supposed. But the events of the day had unleashed in Casimir's mind a kind of maniacal, animal cunning, accumulated through years of craftily avoiding migraines and parties. The corridors in this section were relatively narrow. He put his feet against one wall and his hands against the other, pushed hard enough to hold himself in the air, slowly "walked" up the walls until his back was against the pipes on the ceiling, then "walked" around the corner and down the hall toward that steel door. Usually the only beings found on the ceilings of the Plex were bats, and so the little TV camera mounted above the door was aimed down toward the floor. Eventually Casimir was able to rest his hands directly on the camera's mounting bracket and wedge his feet into a crack between a ceiling pipe and the ceiling across the hail. Not very comfortable, he used one hand to undo his belt buckle. In five minutes, during which he frequently had to rest both arms, he was able to get the belt over another pipe and rebuckle it around his waist, giving himself an uncomfortable but stable harness. Within half an hour, the TV camera, inches from his face, began to swivel back and forth warily. Casimir loosened his belt buckle. The lock clicked open and an old man emerged, holding a pistol. Casimir simply dropped, pulled the gun free, flung it back into the room, then dragged the locksmith inside. While the man was regaining his breath, Casimir went through his pockets and came up with a heavily laden key-chain. After a while the locksmith sat up. "Whose side are you on?" he said. "No side. I'm on a quest." The locksmith, apparently familiar with quests, nodded. "What do you want with me?" he asked. "The master keys, and a place for the night. It looks as though I've got both." Casimir tossed the keys in his hand. "Where were you taking these keys?" The locksmith rose to his feet, looking suddenly fierce and righteous. "I was getting them out of the Plex, young fella! Listen. I didn't spend thirty-five years here so's I could sell the masters to the highest bidder soon as things got hairy. I was taking those out of the Plex for safekeeping and damn you for insulting me. Give 'em back." "I have no right to take them, then," said Casimir, and dropped the keys into the locksmith's hands. The man stepped back, first in fear, then in wonder. There was a high crack and the locksmith fell. Casimir ran for the door, where a loner with a bolt-action .22 was frantically trying to get a second round into the chamber. Casimir nailed him with the saber, kicked him dead into the hallway, grabbed the .22 and locked the door. The locksmith was struggling to his feet, pulling something bright from his sock. The big keychain was still on the floor where he'd dropped it. He now held seven loose keys in his hands, and with a distant, dying look he gazed through the crossbars of the window at the million lights of the city. Casimir ran and stood before him, but seeing his shadow cross the man's face, fell to his knees. "Thirty-five years I looked for someone worthy to take my place," whispered the Locksmith. "Thought I never would, thought it was all turning to shit. And here in the last five minutes here, lad, I pass my charge on to you." He parted his hands, allowing the keys to fall into Casimir's. Then he dropped his hands to his sides and died. Casimir gently laid him out on a workbench and crossed his arms over his heart. After pinching the barrel of the .22 shut in a vise, Casimir curled up on a neighboring workbench and slept. Though Casimir considered Sarah and Hyacinth safe, they were only relatively safe when they and Lucy left E12S. Their destination was the Women's Center, and their route was a young and disorganized war. They went first to my suite-- I had given Lucy a key. They remained for a couple of hours, borrowing clothes, eating, calming down and building up their courage. Fully clothed, equipped and reloaded, they broke out my picture window in midafternoon and lowered themselves a few feet onto Tar City. For the time being they kept their guns concealed. Running across the roof it was possible to cover ground swiftly and avoid the thronged corridors. After a couple of hundred feet and a few far misses by bombardiers above, they arrived at one of the large holes in the roof and ducked down into the kitchen warehouses. Approaching quietly, they slid into the narrow space between the boxes and the ceiling and avoided detection. Following Hyacinth, they slid on their bellies down the shelf to the nearest door. This turned out to be guarded by a GASF soldier, who watched the door while a dozen TUGgies methodically tore open and examined crates of food. Hyacinth slid a hundredweight of pasteurized soybean peanut butter substitute onto the guard's head and they dropped to the floor, pulling more crates with them to hinder pursuit. Running into the kitchens, they found themselves cheerfully greeted by more TUGgies. Fortunately the kitchen was huge, full of equipment and partitions and fallen junk and clouds of steam and twists and turns, and after some aimless running around they came to the giant wad of Cheezy Surprise Tetrazzini, squeezed past it through the door, and entered a little-used service corridor filled with the wounded and scared. Four of the latter, also women, seeing that these three were armed and not as scared as they were, joined up. The seven edged into a main hall and made for the Women's Center. This was in the Student Union Bloc, an area not as bitterly contested as the Caf or the Towers. Hyacinth wounded two Droogs on the way and reloaded. Eventually they came to a long hail lined with the offices of various student activities groups, dark and astonishingly still after their riotous trip. Here they slowed and relaxed, then began to file along the corridor. Soon they smelled sweet incense, and began to make out the distant sounds of chanting and the tinkling of bells. Moving along quietly, they paused by each door: the Outing Club; the Yoga, Solar Power and Multiple Orgasm Support Group; the Nonsocietal Assemblage of Noncoercively Systematized Libertarian Individuals; Let's Understand Animals, Not Torture Them; the men's room; the punk fraternity Zappa Krappa Claw; the Folk Macrame Explorers. As they approached the Women's Center, the sweet odors grew stronger, the soprano-alto chant louder. "Looks like the Goddess worshipers got here first," said Sarah. "I guess I can live with that, if they can live with someone who shaves her pits." She and Lucy and Hyacinth concealed their guns again, not wanting to seem obtrusive. Hyacinth knocked. There was a lull, then the voice of Yllas Freedperson, then a new chant. "You don't know the True Knock," said Yllas. "Well, we're women, this is the Women's Center." "Not all women can enter the Women's Center." "Oh." "Some have more man than woman in them. No manhood can be allowed here, for this place is sacred to the Goddess." "Who says?" "Astarte, the Goddess. Athena. Mary. Vesta. The Goddess of Many Names." "Have you been talking to her a lot lately?" asked Hyacinth. "Since I offered her my womb-blood at the Equinox last week, we have been in constant contact." "Well look," said Hyacinth, "we didn't come to play Dungeons and Dragons, we're here for safety, okay?" "Then you must purifiy yourself in the sight of the Goddess," said Yllas, opening the door. She and the two dozen others in the Center were all naked. All the partitions that had formerly divided the place into many rooms had been knocked down to unify the Center into a single room. They couldn't see much in the candlelight, except that there was a lot of silver and many daggers and wands. The women were chanting in perfect unison. "You cannot touch our lives in any way until you have been made one with us," continued Yllas. Sarah and company declined the invitation with their feet. Before they got far, Yllas started bellowing. "Man-women! Heteros! Traitors! Impurities! Stop them!" Nearby doors burst open and several women jumped out with bows and arrows taken from the nearby P. E. Department. Sarah began a slow move for her gun, but Hyacinth prevented it. "Take them to PAFW," decreed Yllas, "and when Astarte tells us what is to be done, we will take them away one by one and give them support and counseling." Escorted by the archers, they traveled for several minutes through Axis hallways, leaving the Union block and entering the athletics area. Here they were turned over to a pair of shotgunwielding SUBbies, who led them into the darkened hallway behind the racquetball courts. Each of the miniature doors they passed had been padlocked; and looking through the tiny windows, they saw several people in each court. Finally they arrived at an open door and were ushered into an empty court, the door padlocked behind them. On the walkway that ran above the back walls of the courts two guards paced back and forth. Taped above the door was a hastily Magic-Markered sign: WELCOME TO THE PEOPLE'S ALTERNATIVE FREEDOM WORKSHOP The Axis clearly lacked experience in running prisons. They did not even search them for weapons. The few guards were not particularly well armed and followed no strict procedures; they seemed incapable of dealing with relatively simple situations, such as requests for feminine hygiene materials. All tough decisions such as this had to be transmitted to a higher authority, who was holed up at the far end of the upper walkway. After a few hours, several more people had been put in their cell, among them some large athletes. Escape was easy. They waited until the pacing guards on the walkway were both at one end, and then two large men simply grabbed Hyacinth by the legs and threw her up over the railing. She rolled on her stomach and plugged the two guards, who did not even have time to unsling their weapons. The rest of the incompetent, somnambulistic personnel were disarmed, and everyone was free. Five high-spirited escapees ran down the walkway toward the office of the high-muck-a-muck, firing through its door the entire way. When they finally kicked open the bent and perforated remains, they found themselves in the courts reservation office. A Terrorist sat in a chair, rifle across lap, staring into a color TV whose picture tube had been blasted out. Hyacinth, Lucy and Sarah, not interested in this, headed for the Burrows with several other refugees in tow. The domain of Virgil was near. Not far from that gymnasium bloc, on the fourth floor. Klystron/Chris inspected his lines. He had just approved one of the border outposts when Klystron had called him back and berated him for his greenhornish carelessness. Right there, he pointed out, a crafty insurrectionist might creep unseen down that stairway and set up an impregnable firepost! The GASF soldiers, awed by his intuition, extended their lines accordingly. As Klystron/Chris stood on those stairs making friendly chitchat with the men, the warble of a common urban pigeon sounded thrice from below, warning of approaching hostiles. Klystron/Chris whirled, leapt through a group of slower aides and crouched on the bottom step to peer down the hallway. His men were assuming defensive stances and rolling for cover. He exposed himself just enough to see the vanguard of the approaching force. As he did, the voice of Shekondar came into his head, as it occasionally did in times of great stress: "She is the woman I want for you. You know her! She is ideal for you. The time has come for you to lose your virginity; at last a worthy partner has arrived. Look at that body! Look at that hair! She has long legs which are sexually provocative in the extreme. She is a healthy specimen." He could hardly disagree. She was evolutionarily fit as any female he had ever observed; he remembered now how the firm but not disgusting musculature of her upper arm had felt when he had set her down on that dinner table during her fainting spell. But at this juncture, when she needed to be strong in order to prevail and preserve her ability to reproduce, she showed the bounce and verve that marked her as the archetypal Saucy Wench of practically every dense sword-and-sorcery novel he had ever consumed in his farmhouse bed on a hot Maine summer afternoon with his tortilla chips on one side and his knife collection on the other. Later, after he had saved her from something-- saved her from her own vivacious feminine impulsiveness by an act of manly courage and taken her to some sanctuary like the aisle between the CPU and the Array Processing Unit-- then she could allow herself to melt away in a rush of feminine passion and show the tenderness combined wi